Category Archives: television

A princess of Hollywood, gone to the stars.

carrie-fisher-6

“You have owned my likeness, lo all these years, so that every time I look in the mirror I have to send you a check for a couple of bucks.” 

I am not remotely embarrassed to I say I’m obsessed with Star Wars. I’m one of millions. But it doesn’t change the fact that seeing that universe expand in front of me from the day I was old enough to watch A New Hope (on VHS, I’m not that old) changed my life. I’ve watched that film over 100 times, and know every word and every character’s movements and expressions like it was my own. The quote above, of course, comes from Carrie Fisher to George Lucas, one of many quips she so beautifully and bitingly made in a career that was so much more than just those films, knowing so astutely that she’d have to rail against that oversimplified outline for the rest of her life. In this context, it’s not an exaggeration to say that when news of her heart-attack came through before Christmas I just thought “oh god, not her too”. There was way too much more to still come than 60 years would allow, even for someone that packed in as much as she did. I dearly hoped she’d pull through, ready with some withering self-deprecation about her not being dead yet, to witness the outpouring of support, and to solider on for another decade or two. But it wasn’t to be.

Really, it feels so desperately sad. I know public grief is a cheap commodity these days, traded in competitive chunks on a daily basis like a modern currency, but at 41 I don’t feel ready to let so many of these childhood touchstones drift into the mists just yet. Not Carrie, someone that stood out so much in those films, like she did in life, and instructed me about women in ways I didn’t even understand at the time. Even though she often resented the ties that bound her to those films (famously describing the role as ‘a lot of it was just running down corridors’) more tightly than she ever may have wanted, the late-blooming return to this fantasy universe and the rush of adolescent joy it brought me and so many others, makes it all the more sad she’s suddenly no longer here. [Spoiler alert] I’m not sure I could stomach that last scene in Rogue One right now. It just feels too sad to see that fresh face against this backlit scene of contemporary sorrow.

She was my first crush, probably before I even knew what one of those was. But she was also, flagrantly so much more than a sex symbol, and everything many women in cinema weren’t usually allowed to be at the time – feisty, witty, sexy, funny, articulate, intelligent and forceful – and not even Han Solo or Luke Skywalker stood a chance against her in those three films. Even as she was planned for execution, she fought back, showing vulnerability even as she cracked jokes at Grand Moff Tarkin’s expense. What a woman, in so many of the right ways, not some silver screen cypher employed as window dressing. I was hooked from then on, by this mystical figure clad in flowing white robes, who was pretty handy with a blaster and didn’t seem to care for gruff, charming space pirates (well, not at first). She transformed, during those six years from nervous ingénue princess to a star in her own right, famous – sadly, above so much else – for that bikini, rather than killing the mighty Jabba, as she should be. Perhaps one of her best put-downs came from this very weary topic, answering an angry father: “‘What am I going to tell my kid about why she’s in that outfit?’ Tell them that a giant slug captured me and forced me to wear that stupid outfit, and then I killed him because I didn’t like it. And then I took it off. Backstage.””

She was fearless. The daughter of celebrity parents (Eddie Fisher and Debbie Reynolds, her mother now tragically joining her barely 24 hours later), born and raised into Hollywood royalty, she spent much of her life and career remorselessly skewering that privilege when others hid behind it, seeing no vanity or assuming no position from it, often making capital out of the litany of ‘you-couldn’t-make-it-up’ drama that befell her. In fact, her truth about the underbelly of the industry, on others, but much of her own often painful and scarred experience, came to inform her post-Endor life. A voracious chronicler, her books were brilliant warts-and-all paens to growing up inside the movie bubble, with Postcards From The Edge very loosely autobiographical, and made into the brilliant film with Shirley Maclaine as the tortuous mother and Meryl Streep in the title role (for if Meryl plays you, you know you’re a true character of note). She even appeared – indirectly, until I only realised very recently – in the lyrics of one of my favourite albums of all time, as Paul Simon (her husband for eleven ill-fated months) talked about the “window in your heart” he found after she’d gone, immortalised in Graceland. Added poignancy when no more were needed.

She published memoirs that laid bare the high and low points of her life, taking them on tour as one-woman shows, and showing the openness and vulnerability that drew us to her from the start. Even forty years later, she managed to raise eyebrows when admitting to an affair with Harrison Ford in The Princess Diarist, which landed only a month or so before her untimely death. To the end, she never dimmed the switch. She also had roles and work that were often – sadly – overlooked. She provided the comic chops and humanity as Marie in When Harry Met Sally, worked in Shampoo, Hannah And Her Sisters, The Blues Brothers, Soapdish, and more as well as television, from 30 Rock, Family Guy, brilliantly as Rob Delaney’s acerbic mother in Catastrophe (for which she’d just finished a new series before the fateful flight home she caught from London), and spiky cameos aplenty in everything from Sex And The City to Big Bang Theory and Entourage. She never stopped working, applying uncredited script work to Hook, Sister Act, The Wedding Singer and more, even if many foolishly thought there was nothing between Jedi and The Force Awakens. Her epitaph is so much more than A Galaxy Far, Far Away.

She was also fearless in her openness about mental illness. Suffering from bipolar disorder from a young age, she never shied away from what it led her to, or the complexities of being a sufferer. Being the daughter of Hollywood royalty would be hard enough to cope with, but fighting bipolar disease, it’s actually incredible to think she had a career at all, given the rates of suicide it induces. But addressed it she did, and head on: “I have a chemical imbalance that, in its most extreme state, will lead me to a mental hospital,” she spoke over two decades ago. In a still-incredible interview, she talked in understandable terms about how her battles manifested themselves. ” I have two moods,” she explains. “One is Roy, rollicking Roy, the wild ride of a mood. And Pam, sediment Pam, who stands on the shore and sobs … Sometimes the tide is in, sometimes it’s out.” It’s for this reason alone, and her honesty, that she should perhaps be lauded more than anything for helping switch around the usual mental health narrative. She showed that that real, famous, great, successful people suffer from these conditions just as much as the rest of us, and the effect it can have on those people that feel alone and side-lined and unable to feel they can talk to anyone about it. Taboos are there to be broken, and Fisher did this with all the vim of Leia or Marie, realising that if it came from her, then another wall could be broken down.

But the part of me that aches the most is still that boy that watched entranced back in the early 80s, as this whirlwind in white, that grew up with that adoration and admiration unchanged, seeing that return in 2015, and feeling privileged to be living through both ages of the life of the person I knew as Princess Leia. From childhood crush to full-on adult infatuation, to middle-aged reverence, that person on and off-screen that never played by the rules, never kept quiet when it was expected, never felt she should fulfil the role of which she was expected. She suffered, wore that as a badge of honour, and never stopped seeing the positive side of her fractured existence. As my 40s trundles on, it feels like too many of those we held dear in our formative years are being taken away too early. Perhaps this is just what getting old is like, and this is the start of a long, uninterrupted march of those faces in front of us for the next few decades. But few will have the impact that the likes of Leia, Han and Luke had, and that emotional squeeze from the icons of your simpler, more brightly coloured childhood often hold onto you much more than those in our cluttered, complicated adult life ever could.

Sixty years old is way too soon, when so much felt still in front of her. The sadness is only compounded by the devastating death of her mother, Debbie, only a dayfew after her daughter. But for  a couple of lucky generations, we all saw that first clip and thought what Luke Skywalker did: “Who is she? She’s beautiful“. She was one of a kind, and the world is a far poorer place without her. May The Force be with you, Leia.

Goodbye, George

george-michael-1987-portrait-billboard-650

I thought that 2016 had already done its fair share of disposing of iconic artists, but it still had a few cards to play. So the irony of hearing George Michael had passed away on Christmas day seemed a cruel joke too far (one that social media predictably jumped on in its crass, insensitive way almost as soon as the news hit that evening). But like Prince and Bowie before him, the sudden and unexpected nature of his passing was perhaps the biggest surprise, given he was only 53.

I know that it’s the new norm in the social media age to bear ones feelings online, and to lace tragedy with hyperbole and flowery language, an arms race to see who is the most upset or struck by these events, but while Bowie and Prince have been ever-present in my life, they were never the soundtrack to my childhood. George Michael, in Wham! and as a solo artist was definitely that, even before I knew much about him, or – blissfully unaware as a 7 year-old – his life, I was dancing round the living room to Club Tropicana and Wham Rap and recording hits off the radio on tape (yes, remember that?) Like any child of the 80s (born in ’75, but growing up in that oddly bleak yet flamboyant decade), pop music was central to my formative years. And what a decade for pop it was, perhaps never bettered, with so many big acts to choose from, even the one-hit wonders were somehow brilliant (think Owen Paul, Jermaine Stewart, The Buggles, Cutting Crew, Nina, MARRS). But alongside globe-spanning heavyweights like Duran Duran, Madonna, Prince, U2, Queen and Bowie, George Michael felt much more like one of us. The son of a Greek-Cypriot restaurant owner, born and raised in Kingsbury then Radlett, meeting Andrew Ridgely at school with dreams of pop stardom.

Forming Wham! in 1981, (I don’t know what you were doing when you were 18, but I was listening to his records, and wondering what my Geography degree would get me in life) they had a no.1 album within two years, with 3 top ten singles, including Wham Rap and the iconic Club Tropicana. The latter was filmed at the famous Pikes Hotel in Ibiza, and when I found this fact out much later on in life, I spent 2 summers trying to find the place outside San Antonio, just to be able to stand where that famous video was shot, such was its legend. It seemed crazy that I could be walking around that pool (luckily, no white pants for me), replaying that video in my head, wondering – and wishing – what it would’ve been like to have been at one of those weekend parties there in the mid 80s with George, Andy, Freddie, Grace and the rest.  He just made it all look so fun.

From there, the hits rolled almost non-stop, with staggering numbers: 100m albums sold, 7 UK no.1s, 8 US Billboard no.1s, his debut solo album, Faith, sold 20m alone, not to mention the list of awards, from 3 Ivor Novellos to countless Brits, MTV, Grammy and American Music Awards. But above all, he was a star, and a star all of his own making. George Michael did things his own way, and all his success came at a time when, if you were gay, you still had enough problems to deal with from daily life, but when you were a megastar, you’d be hounded relentlessly and mercilessly by the tabloids, rabidly obsessed with outing and shaming homosexuals. These are the same tabloids now eulogising him. It has ever been thus, the hypocrisy hanging rank in the air.. But Michael refused to be ashamed of his life. Much has been made of him not coming out until 1998, following his much-publicised bust (sorry, sting) in LA by an undercover police officer. But he didn’t care personally that he was gay, only that coming out publicly would affect his parents more than anything. In many ways, he was still the outsider from suburban London, but also, he didn’t exercise rigid control on his public or private life because he was ashamed, but because he felt it was none of anyone’s business. This infuriated the press, who simply attacked him further, and just made us root for him even more. His refusal to be a sexless, ashamed, out-gay man, is to be lauded, and still feels an outlier today, but in the late 90s, (having endured and survived the turbulent 80s) he was one of a few pop stars to be willing to put his head above the parapet. Even back then almost half the UK still thought same-sex relations ‘always or mostly wrong’. Many thought his career would suffer then, but of course, it was arguably one of the finest ripostes to a celebrity shaming there’s ever been: he made Outside in weeks after that arrest and ‘scandal’, lampooning at once the press, the LA Police, homophobes everywhere, showing that gay sex was still just sex, and making them all uncomfortable at the same time. A masterstroke, and one that many others would never have dared risk. He did it with gusto and humour, and I only loved him more.

There was the usual narrative of the ‘troubled’ star, yet no one bared this truth more honestly than George himself, speaking of his demons and addictions openly and causing many of us that were teens or younger at the time to go back over lyrics and feel embarrassment over what was overtly personal and downright dirty songs, released in plain sight. But it was all part of a talent that wrote and sang songs that were emotionally inclusive and soul-baring. When he was playing the James Dean role on Faith, he was also singing about a quick shag on Fast Love, or more brazenly pushing the tolerance of radio stations and tv channels with ‘I Want Your Sex’ (famously writing ‘explore monogamy’ on his partner’s back in lipstick’. But for all his brazen nature, great copy and partying, tragedy and difficulty was never far away either. Watching Anselmo Feleppa, his partner, die of AIDS-related illness in 1993, and penning Jesus To A Child to commemorate him. Even the accidents and incidents that put him in prison briefly, the public shame heaped on him made him no less forgiving, and it was hard not to love him for that, particularly when you detest the right-wing press and their motives so much. All the while, he still looked for that next hit, writing dozens of news songs, fighting his label for control, and in recent years that next album that never saw the light of day, robbing us perhaps of a next chapter to his remarkable story.

And all through it, he was a trailblazer and a star. While he was releasing solo classics like Listen Without Prejudice Vol.1, he was donating money to charities and individuals. Stories of giving a nurse fifteen thousand pounds anonymously for her IVF, or a concert for NHS nurses following his mother’s death, donating royalties to Childline, or Terrence Higgens’ trust for AIDS, making clear that having ‘more money than he could spend’ didn’t mean he didn’t know how to use it. In a world where celebrities now do much work for charity but do like to talk about it, he was the opposite. His work for LGBT charities was huge, and he also wore the position of a global pop star figurehead for a movement with zest, whatever the personal cost.  The trail he blazed didn’t just inspire musicians and others from his music, but made it easier for people after him to be who they needed to be, and as his music success waned, his legacy’s impact increased only further.

Ultimately though, for those of a certain age, his death leaves a sizeable hole. From as early as I can remember, I danced to his music, wanted to be him – and yes, long before I had a clue he was gay, we all wanted to be him, or be with him, such was his attraction to women – and bought his records. The tapes I had from back then are mostly long gone – I still remember being so excited to buy the cassette single of he and one of my other childhood icons, Elton John, duetting on Don’t Let The Sun Go Down On Me from Our Price in Redhill in 1991, when it really wasn’t cool to like either that much any more – but the records remain. So many hits, that it seemed like one of his records was permanently in the charts from 1981 to the late 90s, a staggering output, especially when success is so fleeting in the modern musical world. He did so much that seems normal now, but lost him friends, success and money back then, whether it was refusing to be in his own videos (Freedom, particularly, irked Sony, but it’s now one of the most replayed videos that era, chock-full of supermodels), suing his own record company for creative control, and simply be unashamed being out and gay when it was accepted to be a career-killer. Lesser artists would’ve been hit, but he just did what he wanted to, and that’s why people rooted for him.

I’ve dabbled as a DJ over the past two decades, and now the radio show I do is based around being the best wedding set you’ve ever heard. Understandably, Wham! and George Michael have always been high on my list of #bangers since the start. How can they not? So many of them have such happy memories for me, whether it’s listening to Wham! in Africa when I was a kid, or mesmerised by him joining Elton at Live Aid, or cracking up when the LA policeman sued him for making Outside, with George at the centre of his own joke. And every new year’s day for the last seven years, dancing to Everything She Wants at Bugged Out. Even last week, I played Last Christmas (how could you not?) on my radio show’s festive edition. It seems so sad that it’s now an epitaph, rather than a celebration of someone you hoped still had gas in their career for a long time to come. He also joins the list of artists I never saw live and that I’ll never get that chance to. Everyone I know that did was in awe. That voice of his had few peers.

As we get older, it’s inevitable that those we love, and revere and worship will slowly slip away before our eyes. Only a fool would be unwilling to accept this. But 53 is no age to go, discovered by your partner lying calmly in bed on Christmas morning. Not when you’re re-releasing a classic album in 2017, and planning a documentary that we’ll now never see. Nostalgia is a business all of its own these days, but when a chunk of your childhood becomes a freeze-frame of memories, and no longer a living, breathing person, part of that dies with them. It’s not overdramatic to say that, because while I listen to so much new music, there’s a huge part of me that’s still that little nerdy kid dancing round the room with a comb singing Wake Me Up Before You Go-Go, and wanting to be that flamboyant guy on tv in tennis shorts and a haircut bigger than my torso, bobbing around alongside Andrew Ridgely. Knowing that George Michael is ‘never gonna dance again’ is a sad, sad day indeed.

Monaco – When Saturday comes

Morning in Monaco
Morning in Monaco

Sadly, this is my last full day in the principality. I go through my normal morning routine here. Up, shower, down to breakfast where I’m treated to more fresh rolls, pain au chocolat, croissants, all smeared with healthy amounts of beurre and jam, readying me for another day of petrol-headed action. I’m banishing all thoughts of sadness (and an early flight tomorrow – more of that later) with a throwback album inspired by all the talk of Britpop last night. Blur‘s Parklife flows into my ears as I walk down to the station to catch the train into Monaco. It’s another cloudless day and high 20s. This Is A Low isn’t that appropriate, but it’s a beautiful piece of music. I’m being careful on the sun front though, seeing as my only colours are white or pink, I don’t want to add to any of the already burnt parts of my body. Once an Englishman….

All eyes on F1 Quali in the GP2 paddock
All eyes on F1 Quali in the GP2 paddock

The GP2 paddock is busy as ever, with the teams already pushing yesterday’s results into the background with another race to prepare for this afternoon. Unlike F1, there’s two races every weekend in GP2, so it’s double the fun, enjoyment and excitement, and the stress. No rest for the teams sadly, but it means that drivers can make up for mistakes in the first race, and while the Sprint race is 15 minutes shorter, and with less points, the beauty of it is the reverse grid. Cars 1-8 in the Feature Race reverse positions and so P8 is on pole. It’s a good incentive for the midfield to push in race one, even if they’re out of the points early on, and makes for an interesting race every time. This time round, it’s Frenchman Charles Pic – he of the lion’s mane hair – that sneaked into the coveted 8th after Englishman Oliver Turvey failed to take his drive-through on Friday. As with many sports when they get to the top of the tree, it’s the details that often make the difference, and with a season of 9 rounds and 18 races, it’s small changes like this that can decide championships.

"What do you mean you don't have any D'Ambrosio caps?"
"What do you mean you don't have any D'Ambrosio caps?"

There’s a full day’s programme before the GP2 guys hit the lights at 16.10, with the Formula Renault drivers qualifying as a stroll out of the station after 9.30 (no late starts here) and down past Place D’Armes, where the merchandising stands are in full flow. It’s fair to say that here, being so close to Italy, and with scant French representation on the grid, at least not in the cockpits, that Ferrari rule. It’s a sea of red in almost every stand, and while Schumi, Lewis and Jenson get a look-in, as do the Red Bull guys, it’s the Scuderia that have a hold on the public’s affection here. An Alonso win here would register on the Richter scale. And it’s F1 practice and qualy that’s high on the agenda for many of the fans here today as I head through the now familiar tunnels and out to the GP2 paddock. It’s a hive of activity, with the ever-present sound of engines firing up and turning over as the teams feverishly fine-tune (or in some cases reassemble) their cars before this afternoon’s race. Something that’s really come home to me this week is the inordinate amount of work that goes into putting a car on the grid. We all know the massive teams and budgets involved in F1, but in GP2 there’s only a fraction of the manpower, and yet the work put in is monumental, with a restless weekend for the mechanics, media, drivers, team principals and sponsors – it’s a wonderful microcosm of how motorsport works, and for many of the teams, having been in since pretty much the beginning in 2005, they’re a close-knit crew of friends as well as workers that function with the single aim of putting their driver on the top of the podium.

The GP2 teams hard at work
The GP2 teams hard at work

F1 3rd practice, like qualy after it, is dominated by a huge shunt. In practice, it’s Roseberg, and in qualy it’s Perez, both coming out of the tunnel up to the chicane, and echoing some bad memories of Button and Wendlinger’s accidents there in previous decades. It’s moments like this that make you remember that sign that dominates the tracks around the world: ‘Motorsport is dangerous’. The sport is so safe in this era, it’s easy to forget the terrible toll it took on its drivers in the past. Jackie Stewart’s campaigns against the lack of safety and medical provision in the 70s was met with a furious backlash at the time, with many traditionalists questioning his commitment to the sport, but now we can look back and see just how far safety has moved on, and what we have the Scotsman to thank for. It still doesn’t prevent some heart-in-mouth moments, and both of these were such incidents. Coming out of the Tunnel, first Rosberg, in the morning, and Perez, in the afternoon, braked, losing the back end and snapping them into barriers before being propelled, helplessly, towards the barriers that separate the safety road from the run down to Tabac. Rosberg was lucky, while launched over the bumps, he missed it by millimetres. Perez was not so lucky. He came wide out of the tunnel and hit the barrier side-on after glancing the wall, the slo-mos showing him desperately clasping his hands in protection around his helmet just before impact. It was a sickening crash, and for 20 minutes, while the medical teams carefully worked to remove him safely and get him to hospital, a cloud descended over the city.

While qualifying resumed – and Hamilton lost out worst to make only P9 – it was clear that their comrade’s safety was all that was on drivers minds. They may be paid millions (well, some of them) and feature in a sport that is steeped in money, glamour, and individual achievement, but at times like this it’s refreshing to see everyone in the paddock thinking only of one thing, and that’s a speedy recovery to the stricken driver. It was a tense wait until a delayed Sprint race, but by the time the parade lap was in progress, a collective sigh of relief descended on Monaco as reports of Perez being conscious and talking in hospital fed across the airwaves. He wouldn’t be racing, but the popular Mexican will be back, hopefully for Canada, and news that he was sitting up and watching the GP2 race that afternoon were heartening, and amusing proof of how obsessed drivers are with their sport. The race itself didn’t quite live up to the Friday stormer, with Pic’s sterling drive from pillar to post edging out Josef Kral, with Romain Grosjean coming home in 3rd to keep up his championship title charge. With another stall on the grid from local boy Stefano Coletti – resplendent in his dinner-suit overalls for the race – there was more precision avoidance, but otherwise little incident barring Chilton’s struggle on wearing tyres giving way to first Filippi then Valsecchi. The result left a cigarette paper between the main contenders – astonishingly the top 5 left the principality separated by 5 points, with Grosjean and Sam Bird tied on 23, race-winner Pic on 22, and Valsecchi and Van Der Garde on 21. GP2 has always been tight, and this weekend was another reason to shout it from the rooftops: get into GP2 if you’re a real racing fan, because it’s motorsport at its finest and most elemental.

Where did everybody go?
Where did everybody go?

No sooner had the race finished, and the quotes been given to David, now speed-working on a deadline with the rest of the GP2 team and journalists covering the race, than the paddock was slowly coming down. It’s amazing that so much is packed into a small space, but if it was full at 15.00, at 18.00 it was almost empty, the tables away, TVs off, teams packing up and staff frantically dismantling the space that’s been my home in Monaco since Thursday morning. It was hard not to feel tinged with sadness at this point. In some ways it’s felt like I’ve been here for a week, with so much crammed into an amazing 4 days, but also with the racing done, it all suddenly feels over too quickly. And yet for me, as a glorified punter (albeit a massive fan) it’s merely the end of a holiday. For the majority of people here, it’s a job, and their hard work and dedication will receive only a short break before they move on to Valencia in four weeks to do it all over again. I get to walk away into the Monaco night, while many of the teams here – either racing or GP2‘s own administration – will still be here long after I’ve sat down with my first beer. It’s easy to forget that while fans watch in the comfort of their own home, the work that goes into a race series is almost never-ending. But it’s a love for motorsport that keeps the wheels turning, and GP2 is no different.

Au revoir, Monaco
Au revoir, Monaco

For me, I head off for a last look round the port, climbing up to the amphitheatre that sits on the corner of the headland below Port Hercule and gazing over the iconic skyline, knowing that I’ve heard my last roaring engines for this year. Some of you may wonder why I’m not staying for the F1, but there’s good reason for that. While I love F1, in fact it was/is my first love, there’s an economy of scale that means many fans will never get to witness an F1 race first hand. In Monaco it’s possible to grab a lofty viewing point above the port, or even a balcony close to the circuit if you’re in with the locals, but for many, grandstands are upward of 200e, or even up to 1500 euros for the top packages, which prices all but the privileged out of the market. As GP2 finishes on Saturday, so too will I, and while I’m sad to be missing the marquee event, I’m not hugely disappointed. I’ve seen all the F1 cars on track twice, and that’s an experience I’ll not forget. It’s just a shame that F1 – as, I guess, befits its glamourous image – is a sport that is only affordably viewed from the sofa. My love for it is undiminished though, even so, but it’s one of the many reasons that GP2 is neck and neck with it. The racing, the teams, the drivers, the atmosphere, seem much more connected to the years that I first fell in love with the F1 circus, and its purer, more unreconstructed racing. When I watch the drivers on the grid in Valencia, I’ll be tinged with happiness and sadness: I’ll know the faces better, feel more closely connected than ever to GP2, but of course, I’ll wish I was there to enjoy it all over again.

The GP2 paddock
The GP2 paddock

The night isn’t quite over though, and tonight is Champion’s League final night. And while I’m English, my loyalties tonight are with Barcelona. Odd? Not really. I’m a Spurs man, so no great lover of the Red Devils, and I’ve spent many many weekends in the Catalan city, be it at the amazing Sonar festival, or staying with friends that live in the city. I’ve even been lucky enough to see them at the Nou Camp, trouncing Getafe with only ten men. I can’t seen United winning, so I’m trying to meet up with Will and David to enjoy a Catalan victory. The location is about as anachronistic as I think you could find in Monaco – The Ship and Castle, perched in the Fontevielle port is a good old English boozer, and I’m sat at a table with a pint of Fosters waiting for the cavalry to arrive. Will makes it, but sadly not David, but what he misses in football, he also misses in annoying chanting from the assembled Reds. “We do what we want, we’re United and we do what we want.” So, that extends to losing to City in the FA Cup then? As it happens, it’s a glorious night for Barcelona fans. Apart from some early scares and a great Rooney equaliser, it’s Barca’s night, the 3-1 scoreline barely doing justice to their domination of the English champions, even if it upsets Alfie, a four year-old in United kit that adopted us for the game. Watching them play is a privilege, and the last pints sank, with GP Week’s Adam Hay-Nicholls also in attendance, are a fitting end to another action-packed day that’s left me well in need of bed.

Vamos Barca!
Vamos Barca!

As I take the train from Monaco’s main station back to Beaulieu for the last time, I try to scan through the events of the last 72 hours, and coming across a bewildering succession of highs. From my broad grin as I descended over the sea to Nice, to my wonder at first sight of the Monaco skyline, wandering the track at Casino, Massanet, Tabac or Rascasse, enjoying beers with Will, Matt, James, Dan and David at Rascasse, hearing the roar of engines start up for the first time, seeing the familiar faces of the GP2 team and being looked after by them as if I was royalty, to the wheel-to-wheel racing of the GP2 drivers, my amazing trips to Stand K on Thursday and Friday, and my heart-fluttering half-hour in the pits on Thursday, plus the odd celeb spot, and mixing it with the drivers in the GP2 paddock, it’s been a whirlwind of petrol-tinged wonder. I’ll be taking back memories aplenty, hundreds of photos, my hallowed GP2 pass, my Jenson cap (not sure pinky-orange is my colour but what the hell) as well as some great times spent with Will, who’s responsible for me getting into GP2 all the way back in 2007, and David, who as well as being my regular city pub-parter in day-job London, is also part of all those memories, plus everyone I’d been lucky enough to meet along the way. I may be up at 7am tomorrow to catch the red-eye back, and be watching the F1 action from David’s sofa in London, scarcely getting my head round all the sights and sounds, knowing I was there less than 5 hours earlier, but this weekend will be with me forever. I can’t wait to bore everyone with it for the next few months. They may grow tired of the tales, but I never will.

Merci, et bonne nuit....
Merci, et bonne nuit....

When Gaza means dying children are too political for tv…

In a word, pathetic. That’s the decision of ITV, BBC and Sky not to show an appeal film by the British charity DEC on their screens. It’s particularly galling from the BBC (though not entirely unsurprising considering its slanted coverage of the crisis as a whole) that it sees its impartiality under question if it had gone ahead. Judging by its past form it’s depressing that a public service broadcaster with the breadth and reach of the organisation shouldn’t use its voice to help appeal for money in what is another in a long line of humanitarian crises.

They’re just covering their consciences, most likely in light of their recent scandals, but it’s a totally spineless act. It does seem that it’s ok for appeals from tsunamis, famines and earthquakes, but when children are dying from starvation from a conflict it’s not. What the fuck did they think was going on in Eritrea, Congo or Rwanda?

Gaza's dying children